Press & Recognition
As we ready ourselves for NAB 2013 and look at the list of Exhibitors, again we see more Virtual Technology Companies than traditional Scenic Design Companies in attendance.
Last year we posted “Has Virtual’s Time Arrived” which really pushed the direction of our second Magid Research Study “Aesthetics Matter”
In the study we compare both 3 D Digital as well as Virtual sets with Real sets to find out Viewer Preferences and answer the question “How does the Audience perceive Virtual and 3 D Digital?”
We will share the answers tomorrow, but first we would like to share a bit of the post from last year that set the wheels in motion.
Funny there are more Virtual scenic companies here at NAB than traditional design companies; this was also true last year with the loss of the RTDNA presence at the Hilton.
The difference this year though is that in talking with Station Engineers and GM’s here at the show, it’s the first time in a long time that they are actually talking about Virtual Systems as a viable option for Local News Production.
Not sure if that’s due to the fact that Virtual has very little traditional competition here at the show or that the systems appear to be much better than in years past at crunching polygons allowing for a more realistic look and as with most Technology the price has continued to drop.
The reasons for considering Virtual or 3 D Digital scenery are numerous, including financial, artistic and environmental benefits.
Financially you will have; reduced fabrication, shipping and on site labor costs during set up, reduced lighting as you will be using one key wall to produce several areas of your set (we do recommend a second key wall be used in addition to your current weather key) reduced scenic footprint in the studio allowing room for production if necessary.
Artistically you will have the option of producing a greater variety of backgrounds which will give your more shot options and can easily be set up as time specific areas, your Sales department may like this as well as they can have backgrounds designed for them for specific Advertiser Sponsored segments.
Environmentally you will be using fewer materials in the construction, less power in lighting and less material for a landfill when you change out next time, thereby reducing your carbon footprint.
A baseline system can be purchased for as low as 10K, with most mid line Trackless single camera systems in the 50k range and a full tracking system for multiple cameras with all the bells and whistles can go for more than 500k.
In addition to the Virtual System Technology costs you will still need to hire a Design company to build your 3 D Environment.
Trackless or Tracking
I haven’t heard from one Local News Station that is considering a fully Virtual Studio at this time and I agree with them that it’s probably not the best option, we are recommending that if you use a lot of motion in your current Newscast and would like to go down the Virtual path that you consider a single camera trackless system that will allow you to keep the same camera blocking you typically use and use it for your franchise areas and possibly your interview area as well.
This can greatly extend your shot making capabilities allowing you to have a variety of different scenic backgrounds with all of the latest technology designed into the sets digitally, including giant RP screens and video walls which if the real technology were purchased on their own would cost more than the Virtual system.
These systems allow you to manipulate a single fixed camera inside the Virtual 3D World including trucks, pans and zooms to add a dynamic look to your Newscast.
3D Digital Design (Augmented Reality)
With many Stations moving towards fixed camera peds greatly reducing the amount of movement in camera shots, for them we are recommending 3 D Digital Designs which allow you to do multiple cameras in a fixed 3 D Digital environment.
The entire environment is designed in 3D with real foreground elements, then individual camera shots are set up and rendered which can then be played back in any sequence you wish.
There is no extra technology to purchase and this can be done while designing your main set elements, this is as simple as keying in your Weather standups.
Visit us at NAB
Please visit us at NAB Booths C – 7934 and C – 7533 to see the latest in 3 D Digital Designs, Touch Key Walls, LED Video Solutions and LED Lighting Solutions.
For an appointment please e-mail firstname.lastname@example.org
Hope to see you in Las Vegas!
Hawaii’s KHON-TV Launches Vibrant New Set, Designed and Installed by FX Design Group
In late August, KHON2 (KHON-TV – Nexstar Media Group) debuted its brand-new broadcasting environment to viewers across the Hawaiian Islands....Read More
FX Design Group receives Top Honors at NewscastStudio’s 2020 Broadcast Production Awards
FX Design Group places first in three Local News categories at NewscastStudio’s 2020 Broadcast Production Awards. ORLANDO, FL, UNITED STATES,...Read More
WVIR Debuts Set Stocked With Video Wall Options
by NewscastStudio Staff Gray Television’s WVIR, NBC 29, has debuted a new set from FX Design Group. WVIR serves Charlottesville and central...Read More
Robotic Camera Systems in Cutting-Edge Studio Design
Bruce Takasaki – Product Manager, Camera Motion Systems – Apr 19, 2021 8:00:00 AM (Original Link) With the increasing amount...Read More
FX Design Group Wins Promax GOLD for Best Set Design – KOIN (Portland, Oregon)
FX Design Group is thrilled to have been awarded top honors at the Promax 2020 North American Station Awards in...Read More
FX’s Set Designs Nab Promax Award Nominations
FX Design Group gets three nominations in the Promax North America Station Summit Awards 2020 for its designs for KOIN...Read More